The last movie the Netflix gods delivered unto me was, Superman II: The
Richard Donner
Cut.
I moved it to the top of our queue after catching Superman - The Movie
on HD Movies, twice. I'll be the first to admit that I can't really
review these movies super-critically. When the movie came out
originally in 1978/79, we still lived in Bolivia and I must have been
four years old when I saw it. I remember going to the movie theatre
distinctly, its my earliest memory - I distinctly remember my dad buying
the tickets, running into a friend of his in line, and then I remember
him reading the subtitles for me when Pa' Kent is lecturing a young
Clark after showing off his super speed.
Please belive me when I tell you that Richard Donner's cut of Superman
II blows the orginal away. Its not just an "extended edition" type
release with 10 more minutes of Superman flying around here and there.
Donner had been filming Superman I and II, simultaneosly since it was
written as a two movie story arc, and had shot a staggering amount of
footage that ended up being archived away. This is a wholly different,
more serious, and more coherent movie than the original. Gone are the
campy jokes and one liners, the magic kiss of forgetfullness at the end,
replaced with never before seen footage and a more serious treatment of
the material, particularly the romance between Superman and Lois. It's
definitely a movie I recommend, both if you enjoy comic book movies or
have fond memories of the original.
Why is this version so different and have to be made?
Following the release of Superman in December 1978, it was widely
assumed that Donner would be re-called to complete the remainder of
the sequel. However, a number of events led to Donner's eventual
replacement as director of the movie. Most importantly, the producers
(Alexander
and Ilya
Salkind)
announced that Marlon Brando's completed scenes for Superman II
would be excised from the movie in order to prevent them having to pay
the actor the reported
11.75%[1]{.external
.autonumber rel="nofollow"} of gross U.S. box-office takings he was
now demanding for his performance in the sequel. Donner publicly
lambasted this decision, announcing that he would make the film his
way or not at all. The April 1978 issue of the sci-fi magazine
Starburst quotes
Donner as saying, "That means no games...They have to want me to do
it. It has to be on my terms and I don't mean financially. I mean
control."